![]() Growing up means moving on or trying to find the next step, and it plays an integral role with the toys as much as it does with Andy. Toy Story 3 understands the emotional trials of growing up and what it means to part with something you once held dear. However, when Sunnyside Day Care turns out to be run by a dangerous hierarchy led by Lots-o'-Huggin' Bear, the toys must escape and return to Andy. However, the main story rests with the toys and the desire to be enjoyed by children rather than ignored by Andy. But, Andy could never bring himself to give up his toys and kept them hidden away. ![]() Over the years, Andy had grown up, trading his childhood toys for teenage interests. Woody, Buzz Lightyear, and the rest of the Toy Story gang return for an all-new adventure, along with a few new facessome plastic, some plushincluding Barbies counterpart Ken, a thespian hedgehog named Mr. In the third installment, Toy Story 3 portrays a tale about what it means to grow up and move on a story brought about due to Andy going to college. With Tom Hanks, Tim Allen, Joan Cusack, Ned Beatty. Genre: Adventure, Animation, Comedy, Family. Toy Story 3 keeps most of its main characters around, telling a story several years after the ending of Toy Story 2. I seriously doubt there will be a more hilarious and heartfelt blockbuster all summer.Even though Toy Story 4 created an additional emotional ending for Woody and the rest of the toys, Toy Story 3 may have been a better conclusion to the franchise. So now you're abandoned and redundant, wondering whether it's OK to go see the latest Pixar without a youngster in hand. After all, it's the older folk who are left behind, like Woody, when the kids head off to college. Thrilling enough to goose smaller kids, the film is more likely to give sleepless nights to their parents. Lotso's wicked plan? To confine the new guys to the toddler room, a charnel house of free play just a short hop from the landfill.Ī great escape movie, "Toy Story 3" funnels the series' abiding separation anxiety into a succession of ingenious feints and evasions, climaxing in an apocalyptic vision of the gaping inferno. Loveable, huggable Lotso makes a terrifically malignant bad guy, a tin-pot dictator whose loathsome lackeys include a baby with a beady eye and a head capable of 360 degree rotations right out of "The Exorcist" a scary cymbal monkey who doubles as an alarm system and - yuck - a Ken doll. It's at this point that a slow-starting story hits its stride. Initially the idea of all-day play seems too good to be true, but Sunnyside has a dark side: it's "a place of ruin and despair", a pre-kindie pastel-colored gulag presided over by Lotso (Ned Beatty), an avuncular pink teddy bear who smells of strawberries (so we're told, the movie is discreetly 3D but not in smell-o-vision). His mom wants his room cleared, and a misunderstanding consigns the toys to Sunnyside Daycare. In "Toy Story 3", Woody and Buzz (voiced by Tom Hanks and Tim Allen, as always) remain unchanged, as good as new in fact, but their owner, Andy, is 17 now and moving on to college. The relationships of Woody throughout the Toy Story series. Maybe more so, now that a generation of kids have grown up with these characters, and, in some cases, probably have grown out of them. It was "Toy Story" that started Pixar's remarkable run 15 years ago, but the angsty devotion of Andy's cowboy doll and his friends (a slinky dog, a cowardly T Rex and a piggy bank named Hamm among them) as they await their inevitable retirement remains as poignant today as it did then. (Not to say there aren't exceptions.)īut in any case, conventional wisdom never seems to apply to Pixar, the digital animation giant that only ever seems to produce winners: "WALL-E," "Cars," "Up" and "Monsters, Inc." to name just a few. With their beloved Andy preparing to leave for college, Woody (Tom Hanks), Buzz Lightyear (Tim Allen), Jessie (Joan Cusack), and the rest of the toys find. Nifty moves are one thing, but everybody knows that by the second sequel - or "threequel" if you prefer - even the strongest film franchise is venturing onto shaky ground. ![]() Not only does he switch to fluent Spanish, he accompanies his newly ardent protestations of love to cowgirl Jessie with flamboyant flamenco finger clicks and swiveling hips. In another inspired touch, space ranger toy Buzz Lightyear is inadvertently rebooted for the Hispanic market. Nobody speaks body language more eloquently than Pixar. Potato Head (the potato being indisposed at the time). Unsteadily, at first, in a floppy, folding, undulating furl, on detachable legs accustomed to the rotund corporeal bulk of Mr. (CNN) - How should a tortilla move? Trust Pixar to ask the important questions and to come up with the most inspired answers, too.
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